Introduction
Step into the time machine of rock and roll history as we relive the electrifying live performance of Jerry Lee Lewis and his timeless hit, “Whole Lotta Shakin’ Going On.” In this blog post, we’ll journey back to the legendary year 1964, explore the unparalleled showmanship of Jerry Lee Lewis, and revel in the seismic impact of a performance that continues to resonate with music enthusiasts around the globe.
The Birth of a Rock Anthem: “Whole Lotta Shakin’ Going On”
Penned by Dave “Curlee” Williams and James Faye “Roy” Hall, “Whole Lotta Shakin’ Going On” found its true calling in the hands of Jerry Lee Lewis. Released in 1957, the song became a rock and roll anthem, known for its rollicking piano, infectious energy, and unabashed celebration of the joy of music. Lewis’ live performances of the song elevated it to iconic status.
1964: The Setting for a Rock Revolution
By 1964, Jerry Lee Lewis was already a seasoned veteran of the rock and roll scene. His reputation as a dynamic performer and piano virtuoso had solidified him as one of the genre’s leading figures. The live rendition of “Whole Lotta Shakin’ Going On” in 1964 encapsulates the spirit of a time when rock and roll was undergoing constant evolution.
Unleashing The Killer: Jerry Lee Lewis’ Showmanship
Often referred to as “The Killer” for his wild stage antics and frenetic piano playing, Jerry Lee Lewis was a force to be reckoned with on the live stage. His 1964 performance of “Whole Lotta Shakin’ Going On” is a masterclass in showmanship, with Lewis’ piano literally shaking under the intensity of his playing. The audience was not merely spectators; they were witnesses to a musical revolution.
Seismic Piano Riffs: The Heart of the Performance
At the core of “Whole Lotta Shakin’ Going On” is Jerry Lee Lewis’ iconic piano riff. The live rendition in 1964 showcases Lewis’ unparalleled piano skills, with lightning-fast runs, percussive chords, and a contagious energy that reverberates through the crowd. The piano becomes an extension of Lewis himself, and every note is a testament to the raw power of rock and roll.
Cultural Impact: A Performance for the Ages
Beyond its musical brilliance, Jerry Lee Lewis’ live rendition of “Whole Lotta Shakin’ Going On” in 1964 left an indelible mark on pop culture. The performance encapsulated the rebellious spirit of rock and roll and contributed to the genre’s continued influence on youth culture. Lewis’ onstage charisma and musical prowess set a standard for live performances that reverberates through the decades.
Conclusion
As we revisit the seismic live performance of Jerry Lee Lewis in 1964, we pay homage to an era when rock and roll was breaking new ground, and Jerry Lee Lewis stood at its forefront. Join me in relishing the unparalleled showmanship, the seismic piano riffs, and the cultural impact of a live performance that reminds us why Jerry Lee Lewis will forever be “The Killer” of rock and roll.
Lyrics
Come on over, baby, whole lotta shakin’ goin’ onYes I said come on over, baby, baby, you can’t go wrongWe ain’t fakin’ a whole lotta shakin’ goin’ onWell, I said come on over, baby, we got chicken in the barnCome on over, baby, babe, I got the bull by the hornsWe ain’t fakin’, a whole lotta shakin’ goin’ onWell, shake, baby, shakeI said shake, baby, shakeI said shake it, baby, shake itWell shake, baby, shakeCome on over, whole lot of shakin goin’ onAh let’s goWell, come over, baby, we got chicken in the barnWhose barn, what barn, my barnCome on over, baby, better got your bull by the hornWe ain’t fakin’, whole lot of shakin’ goin’ onEasy nowShake it, oh, shake it, babyYeah, you can shake one time for meWell, I said on come over, baby, whole lot of shakin’ goin’ onNow let’s get real low one time nowShake, baby, shakeAll you gotta, honey, is kinda stand in one spotWiggle around just a little bitThat’s what you gotta do, yeahOoh, babe, whole lotta shakin’ goin’ onNow let’s go one timeShake it, babe, shake itShake it, babe, shakeShake it, babe, come on, babeShake it, babe, shake itCome on over, whole lotta shakin’ goin’ on
