Introduction
Little Richard, an icon of rock ‘n’ roll, is renowned for his electrifying performances and groundbreaking music. Among his many influential tracks, “Do The Jerk (Get Down With It)” stands out as a quintessential example of his dynamic style. Released in 1964, this song encapsulates the energy and excitement that defined Little Richard’s career. In this blog post, we’ll explore the significance of “Do The Jerk (Get Down With It),” its musical elements, and the lasting impact it has had on the world of rock ‘n’ roll.
Unpacking “Do The Jerk (Get Down With It)”
“Do The Jerk (Get Down With It)” is a vibrant blend of rock ‘n’ roll, rhythm and blues, and early soul. This track showcases Little Richard’s signature sound—his powerful voice, energetic piano riffs, and infectious rhythms. Released as a single in 1964, it quickly became a favorite among fans and a staple on dance floors across the globe.
Musical Composition and Style
The song’s composition is a masterclass in rock ‘n’ roll exuberance. It opens with a lively piano riff that sets the stage for Little Richard’s signature vocal style. His voice, known for its raw power and exuberance, delivers the song’s catchy lyrics with unmatched energy. The upbeat tempo and driving beat invite listeners to dance and engage with the music, making it a quintessential dance track of its time.
One of the most distinctive elements of “Do The Jerk (Get Down With It)” is its incorporation of dance culture into the song’s structure. The title itself references the popular dance craze of the 1960s, the Jerk, which adds a layer of cultural relevance to the track. Little Richard’s ability to blend musical innovation with contemporary dance trends is a testament to his versatility and understanding of popular culture.
Impact and Legacy
“Do The Jerk (Get Down With It)” is more than just a dance track; it’s a reflection of Little Richard’s influence on the evolution of rock ‘n’ roll. The song captures the essence of a transformative era in music, characterized by energetic performances and groundbreaking sounds. Its release during the early 1960s, a time of significant cultural and musical change, highlights Little Richard’s role as a pioneer in shaping the future of rock music.
The track’s influence extends beyond its initial release. Its infectious rhythm and danceable beat have inspired countless artists and musicians. The song’s impact on dance culture, in particular, underscores Little Richard’s ability to connect with audiences on multiple levels. Whether it’s through its music or its danceable rhythm, “Do The Jerk (Get Down With It)” remains a vibrant part of rock ‘n’ roll history.
Conclusion
Little Richard’s “Do The Jerk (Get Down With It)” is a timeless classic that exemplifies the energy and creativity of rock ‘n’ roll. With its lively composition, engaging dance references, and Little Richard’s electrifying performance, the song continues to captivate audiences and inspire musicians. As we revisit this iconic track, we celebrate the legacy of Little Richard and his significant contributions to the world of music.
Lyrics
Well alright everybodyLet your hair downIf you got on a wig like some people think I got onAnd this is my own beautiful hairWhat they do with it fellas?Take it offI said get down with itDo the jazzCome on, babyGoing to watch everybody wagI said, come on, babyI wanna see everybody do the jazzI said, come on babyIt’s been a long long time, woo!Baby, wanna to watch everybody move aroundI said, come on babyWanna see everybody make some soundOh it’s alrightSinging, “It’s alright”Woo! Yeah, yeah yeah, my my my mySinging, “It’s alright”My my my, yeahEverybody raise both your handsEverybody, everywhereI said, clap your handsEverybody clap your handsOh yeah, my my my myWoo! Yeah, my my my myEverybody raise your right handEverybody, everywhereI said, snap your fingerCome on little girl snap your finger, come on little boyWoo! Yeah, yeah, yeahMy my my myOh yeah, my my my myEverybody get their grooving on, movingDon’t be no fool, let’s goEverybody, let’s go, come on, get in lineI said, stomp your feetNow listen to my beatYeah, yeah, yeah, yeah yeahMy my my myWoo! Yeah, my my my myOh one more timeI’m saying one more timeYeah, yeah, yeah, yeahMy my my my, woo!One more timeMy my my myOh, it’s alright yeahOh Lord singing, it’s alrightHey hey, yeah yeah yeah yeah yeah yeahMy my my my, Woo! yeahMy my my my, let’s goOh, It’a alright
